Get ready for a spine-chilling cinematic experience! James Wan, the mastermind behind some of the most iconic horror films, is set to produce ‘Doomtown,’ a survival horror movie penned by the writer of ‘Texas Chainsaw Massacre.’ But here’s where it gets controversial—while rumors swirl that Wan might direct the project, sources close to him have swiftly denied it. So, what’s the truth? Only time will tell.
This thrilling collaboration comes as Divide/Conquer, the production powerhouse behind hits like M3GAN, Freaky, and Black Phone 2, inks a first-look deal with Blumhouse-Atomic Monster. Their inaugural project under this partnership, Doomtown, promises to be a high-concept horror film written by Chris Thomas Devlin, whose credits include the 2022 Texas Chainsaw Massacre and Cobweb. While the plot remains shrouded in mystery, one thing’s for sure: it’s bound to keep audiences on the edge of their seats.
And this is the part most people miss—the film isn’t just about scares; it’s about pushing the boundaries of storytelling. Michael Clear, one of the executive producers, praised Devlin’s script as ‘smart, eerie, and full of ideas,’ setting a high bar for this new chapter in Divide/Conquer’s journey.
The partnership between Divide/Conquer and Blumhouse isn’t new. In fact, it dates back over a decade, when Blumhouse founder Jason Blum mentored Adam Hendricks and Greg Gilreath at the Sundance Creative Producing Lab. Now, they’re reuniting to amplify their impact on the genre, with Hendricks and Gilreath promising to ‘pursue even more ambitious genre stories’ and nurture the next generation of original voices. Blum himself highlighted their ‘discipline and deep understanding of genre,’ making this collaboration a match made in horror heaven.
But let’s not forget the elephant in the room: Is the horror genre oversaturated, or is there still room for innovation? With projects like Doomtown and Anything But Ghosts—another Blumhouse collaboration directed by Curry Barker—it’s clear that these filmmakers believe there’s plenty of untapped potential. What do you think? Are you excited for Doomtown, or do you think horror needs a fresh direction? Let us know in the comments below!
